Pesquisando por: "CHARLES MERYON" - Fotoarena - Agência de fotojornalismo

alb3707441 Le Pont Neuf, Paris. Dated: 1853. Medium: etching on green paper. Museum: National Gallery of Art, Washington DC. Author: CHARLES MERYON.

alb4158278 Rue des Toiles, Bourges. Charles Meryon; French, 1821-1868. Date: 1853. Dimensions: 210 × 130 mm. Graphite on tan wove chine, laid down on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

alb3682659 Portrait of Meryon Sitting up in Bed. Artist: Léopold Flameng (French (born Belgium), Brussels 1831-1911 Paris). Dimensions: Plate: 8 3/4 x 10 13/16 in. (22.2 x 27.4 cm)Sheet: 12 1/2 x 16 11/16 in. (31.7 x 42.4 cm). Date: 1858. Museum: Metropolitan Museum of Art, New York, USA.

alb3711743 Le Pont-au-Change, Paris. Dated: 1854. Medium: etching on green paper. Museum: National Gallery of Art, Washington DC. Author: CHARLES MERYON.

alb3709512 Tourelle de la Rue de la Tixéranderie, Paris (House with a Turret, Weavers' Street, Paris). Dated: 1852. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: CHARLES MERYON.

alb3708429 Armand Guéraud. Dated: 1862. Medium: etching with engraving, printed from 2 plates. Museum: National Gallery of Art, Washington DC. Author: CHARLES MERYON.

alb3736718 Couverture du "Voyage à la nouvelle Zélande" (Cover for the Set of Etchings Entitled "A Voyage to New Zealand"). Dated: 1866. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: CHARLES MERYON.

alb3727409 René Laudonnière Sablais (De Burdigale). Dated: 1861. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Charles Meryon after Crispijn de Passe I.

alb3703372 L'abside de Notre-Dame de Paris (The Apsis ofthe Cathedral of Notre-Dame, Paris). Dated: 1854. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: CHARLES MERYON.

alb3630813 Presqu'île de Banks, Pointe des Charbonniers, Akaroa (Seine fishing off Colliers' Point, Akaroa, Banks Peninsula, 1845). Artist: Charles Meryon (French, 1821-1868). Dimensions: plate: 6 1/8 x 12 13/16 in. (15.6 x 32.5 cm). Series/Portfolio: New Zealand Series. Date: 1863 and later. Museum: Metropolitan Museum of Art, New York, USA.

alb3736817 Nouvelle Zélande, Presqu'ile de Banks (View of Collier's Point, New Zealand). Dated: 1863. Dimensions: plate: 15.5 × 32.7 cm (6 1/8 × 12 7/8 in.) sheet: 35.2 × 50.7 cm (13 7/8 × 19 15/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: CHARLES MERYON.

alb3718353 Study for "Le Petit Pont". Dated: probably c. 1850. Dimensions: overall (approximate): 8.4 x 18 cm (3 5/16 x 7 1/16 in.). Medium: graphite on laid paper. Museum: National Gallery of Art, Washington DC. Author: CHARLES MERYON.

alb3714630 Tikao, naturel d'Akaroa. Dimensions: overall: 17 x 13.9 cm (6 11/16 x 5 1/2 in.). Medium: pen and black ink over graphite. Museum: National Gallery of Art, Washington DC. Author: CHARLES MERYON.

alb3723478 River Dredges and Lighters. Dated: probably c. 1850. Dimensions: overall (approximate): 13.3 x 25.7 cm (5 1/4 x 10 1/8 in.). Medium: graphite on laid paper. Museum: National Gallery of Art, Washington DC. Author: CHARLES MERYON.

alb3697804 College Henri IV. Dated: 1863. Dimensions: overall: 12.8 x 12.4 cm (5 1/16 x 4 7/8 in.). Medium: graphite with touches of red chalk on laid paper. Museum: National Gallery of Art, Washington DC. Author: CHARLES MERYON.

alb3710373 Study for "Le Petit Pont". Dated: probably c. 1850. Dimensions: overall (approximate): 6.9 x 12.4 cm (2 11/16 x 4 7/8 in.). Medium: graphite on laid paper. Museum: National Gallery of Art, Washington DC. Author: CHARLES MERYON.

alb3741604 Seated Female Figure for "San Francisco". Dated: probably c. 1856. Dimensions: overall (approximate): 16.2 x 17.2 cm (6 3/8 x 6 3/4 in.). Medium: graphite. Museum: National Gallery of Art, Washington DC. Author: CHARLES MERYON.

alb4879005 Charles Méryon, French, 18211868, of English parentage, Studies for 'View of San Francisco': Horses and Riders, c. 1856, Pencil on tracing paper, Overall: 3 7/8 x 2 3/8 in. (9.9 x 6 cm).

alb4159114 Study for San Francisco, center right section. Charles Meryon; French, 1821-1868. Date: 1855-1856. Dimensions: 231 × 239 mm. Graphite on tan wove tracing paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

alb3701572 L'arche du Pont Notre-Dame, Paris (An Arch ofthe Notre-Dame Bridge, Paris). Dated: 1853. Medium: etching and drypoint on green paper. Museum: National Gallery of Art, Washington DC. Author: CHARLES MERYON.

akg8444601 Charles Meryon. The Address Card of Rochoux, a Printseller, ca 1856. Print, Etching. Inv. No. 1954.937, Cleveland, Museum of Art.

akg8444608 Charles Meryon. Little Prince Dito, 1864. Print, Etching. Inv. No. 1954.944, Cleveland, Museum of Art.

akg8444611 Charles Meryon. Rebus: "No, Morny is not dead for he is marrying again", 1866. Print, Etching. Inv. No. 1954.947, Cleveland, Museum of Art.

akg8444607 Charles Meryon. Frontispiece for a Catalogue of the Engravings of Thomas de Leu, 1866. Print, Etching. Inv. No. 1954.943, Cleveland, Museum of Art.

akg6522070 Charles Meryon, 19th century). House with a Turret, No 22, rue de l'Ecole de Médecine, Paris (called the Turret of Marat), 1861. Etching and drypoint on ivory laid paper, 211 × 131 mm. Inv. No. 1938.1662, Chicago, Art Institute.

alb3715877 La petite pompe, Paris (The Notre Dame Pump, small plate). Dated: 1854. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: CHARLES MERYON.

alb3706447 Chateau de Chenonceau, 2e planche (The Chateau of Chenonceau, 2nd plate). Dated: 1856. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Charles Meryon after Jacques Androuet Ducerceau I.

alb3735388 La Rue Pirouette aux halles, Paris (Pirouette Street, Near the Markets, Paris). Dated: 1860. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: CHARLES MERYON.

alb3698789 Tourelle, Rue de l'École de Médecine, 22, Paris (House with a Turret, No. 22, Street of the School of Medecine, Paris). Dated: 1861. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: CHARLES MERYON.

alb3699207 La salle des pas-perdus à l'ancien Palais-de-Justice, Paris (The Antechamber of the Palace of Justice, Paris). Dated: 1855. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: CHARLES MERYON.

alb3623539 Rebus: Béranger was not really strong, for he never had the key to the fields. Artist: Charles Meryon (French, 1821-1868). Dimensions: plate: 12 x 5 7/8 in. (30.5 x 14.9 cm). Date: 1863. Museum: Metropolitan Museum of Art, New York, USA.

alb3646669 Vers a Eugène Bléry, No 2 (Verses dedicated to Eugène Bléry, No 2). Artist: Charles Meryon (French, 1821-1868). Dimensions: plate: 5 x 2 11/16 in. (12.7 x 6.8 cm). Date: 1854. Museum: Metropolitan Museum of Art, New York, USA.

alb3727152 Entrée du Couvent des Capucins français à Athenes (Entrance to the French Capuchin Convent at Athens). Dated: 1854. Medium: etching with drypoint. Museum: National Gallery of Art, Washington DC. Author: CHARLES MERYON.

alb3664774 Coat-of-Arms Symbolizing the City of Paris; Bookplate of Bella C. Landauer. Artist: Charles Meryon (French, 1821-1868). Dedicatee: Dedicated to Bella C. Landauer (American, New York 1874-1960). Dimensions: sheet: 5 3/8 x 4 7/16 in. (13.6 x 11.2 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

alb4158060 Portrait of Th. Agrippa d'Aubigné. Charles Meryon (French, 1821-1868); after Jules Hébert (Swiss, 1812-1897). Date: 1861-1862. Dimensions: 122 × 102 mm (image); 123 × 103 mm (plate); 186 × 159 mm (sheet). Etching in warm black from tin plate on grayish-ivory laid chine. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

alb4158328 The Sickly Cryptogam. Charles Meryon (French, 1821-1868); printed by Pierron (French, 19th century). Date: 1860. Dimensions: 70 × 59 mm (image); 70 × 59 mm (plate); 109 × 90 mm (sheet). Etching, with plate tone, in black ink on ivory laid paper, printing à la poupée in red ink. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

alb4146962 The Cow and Ass. Charles Meryon (French, 1821-1868); after Philip Jacques de Loutherbourg (French, 1740-1812). Date: 1849. Dimensions: 65 × 120 mm (image); 76 × 132 mm (plate); 80 × 138 mm (sheet). Etching, printed in black, on tan wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: CHARLES MERYON.

alb4147438 The Two Horses. Charles Meryon (French, 1821-1868); after Karel Dujardin (Dutch, c.1622-1678). Date: 1850. Dimensions: 162 × 143 mm (image); 162 × 143 mm (plate); 167 × 148 mm (sheet). Etching and drypoint on tan wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

akg5100724 Meryon, Charles 1821-1868. A Raven Perched on a Rail, Drawing, ca. 1815-1868. Graphite on wove paper laid down on blue-green French mat, 11.3 × 7.1 cm. Inv. Nr. 65.639.1. New York, Metropolitan Museum of Art.

akg5094203 Meryon, Charles 1821-1868. L'Ancien Louvre (The Old Louvre, Paris, after Zeeman), Print, ca. 1865-1866. Etching on laid paper; third state of seven, 19.4 × 26.7 cm. Inv. Nr. 17.78.23. New York, Metropolitan Museum of Art.

akg5094282 Meryon, Charles 1821-1868. Coat-of-Arms Symbolic of the City of Paris with the motto: It Rocks But Does Not Sink, Print, 1854. Woodcut on china paper, 18.5 × 14.4 cm. Inv. Nr. 17.21.37. New York, Metropolitan Museum of Art.

akg5094206 Meryon, Charles 1821-1868. The Admiralty, Paris, Print, 1865. Etching on laid paper, 16.8 × 14.6 cm. Inv. Nr. 17.3.418. New York, Metropolitan Museum of Art.

akg7360021 Meryon, Charles 1821-1868. South Sea Fishers, Print, 1850. Etching on wove paper; first of two states, 6.6 × 11.9 cm. Inv. Nr. 17.78.7. New York, Metropolitan Museum of Art.

alb4349568 Rebus: Béranger was not Really Strong, for he Never had the Key of the Fields, 1863, Charles Meryon (French, 1821-1868), printed by Pierron (French, 19th century), published by Rochoux (French, 19th century), France, Etching on ivory laid paper, 291 × 125 mm (image), 306 × 151 mm (plate), 450 × 297 mm (sheet).

alb4147451 The River Seine and the Corner of the Mall, Paris. Charles Meryon (French, 1821-1868); after Reinier Nooms (Dutch, c. 1623-c. 1668). Date: 1850. Dimensions: 119 × 239 mm (image); 135 × 245 mm (plate); 140 × 252 mm (sheet). Etching, engraving and roulette on ivory laid card. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

alb5202011 Ancienne Porte du Palais de Justice, Charles Meryon, French, 18211868, Etching and drypoint in black ink on paper, 1854, Print, Print.

alb3731635 Le malingre cryptogame (The Sickly Cryptogam). Dated: 1860. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: CHARLES MERYON.

alb4147252 Doorway of an Ancient Convent, in the rue Mirabeau, Bourges. Charles Meryon; French, 1821-1868. Date: 1851. Dimensions: 168 × 111 mm (image); 168 × 111 mm (plate); 184 × 126 mm (sheet). Etching on tan wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

alb3703353 Adresse de Rochoux, Marchand d'estampes (The Address-Card of Rochoux, a Printseller). Dated: probably 1856. Medium: etching in red and black. Museum: National Gallery of Art, Washington DC. Author: CHARLES MERYON.

alb3665895 Le Pont-au-Change vers 1784. Artist: Charles Meryon (French, 1821-1868); After Victor Jean Nicolle (French, Paris 1754-1826 Paris). Dimensions: Sheet: 4 15/16 × 9 1/16 in. (12.5 × 23 cm)Plate: 5 1/4 × 9 7/16 in. (13.4 × 23.9 cm). Date: 1855. Museum: Metropolitan Museum of Art, New York, USA.

alb4927755 Charles Meryon, Head of a Dog from New Holland, Charles Meryon (French, 18211868), 1860, Etching and engraving from an aluminum plate, plate: 2 1/4 x 3 in. (5.7 x 7.6 cm), Prints.

alb4879817 Charles Méryon, French, 18211868, of English parentage, Anthropomorphic Cloud Studies (Second Version), 18311868, Pencil on tracing paper, Overall: 3 7/16 x 7 15/16 in. (8.7 x 20.2 cm).

alb4881643 Charles Méryon, French, 18211868, of English parentage, Old House in Bourges: 'La Maison du Musicien', 1852, Pencil on paper, Overall: 10 3/8 x 5 13/16 in. (26.4 x 14.8 cm).

alb3626069 Ruines du Château de Pierrefonds (Ruins of the Château de Pierrefonds, after Viollet-le-Duc). Artist: Charles Meryon (French, 1821-1868); After Eugène-Emmanuel Viollet-le-Duc (French, Paris 1814-1879 Lausanne). Dimensions: plate: 6 x 8 1/8 in. (15.2 x 20.6 cm). Date: 1858. Museum: Metropolitan Museum of Art, New York, USA.

alb3662932 Grande salle du Palais de Justice (The Great Hall in the Palace of Justice, Paris). Artist: Jacques Androuet Du Cerceau (French, Paris 1510/12-1585 Annecy). Dimensions: Sheet: 16 15/16 × 10 1/2 in. (43 × 26.7 cm). Date: ca. 1576-80.This is a very rare etching by Jacques Androuet Du Cerceau of the great hall in the Parisian Palace of Justice in its condition prior to the fire of 1601. The large medieval hall consists of two wide bays crowned by wood barrel vaults. The walls on either side of the hall, as well as the arcade in the center which separates the two bays, are lined with statues of the kings of France. A multitude of people is depicted in the space emphasizing the vast dimensions of the space. Du Cerceau likely intended the print to be included in the third (unexecuted) volume of his 'Les Plus Excellents Bastiments de France', which he announced on several occassions, but never completed. Only three other impressions of the print are known today at the Kunstbibliothek in Berlin, and the Bibliothèque Nationale and École des Beaux-Arts in Paris. Because of its rarity Du Cerceau's etching was reproduced in two facscimile copies, one by Charles Meryon (also in the Museum's collection), and one for H. Destailleur's facsimile edition of 'Les Plus Excellents Bastiments de France par J.-A. Du Cerceau', published in Paris, 1868-1870. Museum: Metropolitan Museum of Art, New York, USA.

alb4158481 Cover for a Voyage to New Zealand (1842-46). Charles Meryon; French, 1821-1868. Date: 1866. Dimensions: 150 × 236 mm (image); 153 × 236 mm (plate); 242 × 322 mm (sheet). Etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

alb4158934 The Footbridge Temporarily Replacing the Pont-au-Change, Paris, After the Fire of 1621. Charles Meryon (French, 1821-1868); after Stefano della Bella (Italian, 1610-1664). Date: 1860. Dimensions: 118 × 229 mm (image); 118 × 229 mm (plate); 217 × 336 mm (sheet). Etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

alb4158596 Rebus: 'No, Morny is not dead for he is marrying again'. Charles Meryon (French, 1821-1868); printed by Pierron (French, 19th century). Date: 1866. Dimensions: 151 × 70 mm (image); 151 × 70 mm (plate); 275 × 178 mm (sheet). Etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

alb4158350 The Pilot of Tonga. Charles Meryon (French, 1821-1868); printed by Auguste Delâtre (French, 1822-1907). Date: 1856. Dimensions: 202 × 143 mm (image); 202 × 143 mm (plate); 293 × 235 mm (sheet). Etching, from two plates, one in black and the other in red (brownish), on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

alb4158789 Head of a New Holland Dog. Charles Meryon; French, 1821-1868. Date: 1860. Dimensions: 53 × 78 mm (image); 53 × 78 mm (plate); 59 × 80 mm (primary support); 179 × 247 mm (secondary support). Etching with engraving on grayish ivory chine, laid down on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

alb4158770 San Francisco. Charles Meryon (French, 1821-1868); printed by Auguste Delâtre (French, 1822-1907). Date: 1855-1856. Dimensions: 178 × 961 mm (image); 240 × 995 mm (plate); 345 × 1,080 mm (sheet). Etching and drypoint on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

alb4158248 Swift-Sailing Proa, Mulgrave Archipelago, Oceania. Charles Meryon; French, 1821-1868. Date: 1866. Dimensions: 145 × 80 mm (image); 145 × 80 mm (plate); 450 × 320 mm (sheet). Etching with scraping and burnishing in warm black ink with monogram printed à la poupée in reddish-brown ink on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

alb4158443 Portrait of the Poet Evariste Boulay-Paty. Charles Meryon (French, 1821-1868); after Pierre Jean David d'Angers (French, 1788-1856); printed by Auguste Delâtre (French, 1822-1907). Date: 1861. Dimensions: 106 × 106 mm (image); 106 × 106 mm (plate); 140 × 176 mm (primary support); 236 × 318 mm (secondary support). Etching with burnishing in warm black on grayish ivory laid chine, hinged to ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

alb4158052 Molière's Tomb, Père-Lachaise Cemetery, Paris. Charles Meryon; French, 1821-1868. Date: 1854. Dimensions: 68 × 70 mm (image); 68 × 70 mm (plate); 438 × 318 mm (sheet). Etching in warm black on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

alb4158391 Verses Dedicated to Eugène Bléry, No. 1. Charles Meryon; French, 1821-1868. Date: 1854. Dimensions: 71 × 34 mm (image); 71 × 34 mm (plate); 148 × 102 mm (sheet). Etching in brown ink with some printing à la poupée in red ink on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

alb4158362 Rebus: 'No, Morny is not dead for he is marrying again'. Charles Meryon (French, 1821-1868); printed by Pierron (French, 19th century). Date: 1866. Dimensions: 147 × 71 mm (image); 147 × 71 mm (plate); 300 × 181 mm (sheet). Etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

alb4158366 Frontispiece for the Catalogue of the Work of Thomas De Leu. Charles Meryon (French, 1821-1868); printed by Pierron (French, 19th century). Date: 1866. Dimensions: 154 × 109 mm (image, including stray marks); 154 × 109 mm (plate); 263 × 202 mm (sheet). Etching and engraving on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

alb4158390 Design for a Frame for the Portrait of Armand Guéraud. Charles Meryon (French, 1821-1868); printed by A. Beillet (French, 19th century). Date: 1862. Dimensions: 166 × 131 mm (image, including stray marks); 170 × 136 mm (plate); 371 × 302 mm (sheet). Etching in warm black with some printing à la poupée in copper ink, on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

alb4159056 Portrait of Benjamin Fillon, Writer and Historian. Charles Meryon; French, 1821-1868. Date: 1862. Dimensions: 97 × 82 mm (image); 128 × 112 mm (plate); 444 × 305 mm (sheet). Etching with drypoint in black on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

alb4157852 Portrait of Charles Meryon. Henri Monnier; French, 1799/1805-1877. Date: 1863. Dimensions: 215 × 151 mm. Graphite on buff wove card. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

alb4157919 San Francisco. Charles Meryon (French, 1821-1868); printed by Auguste Delâtre (French, 1822-1907). Date: 1855-1856. Dimensions: 181 × 947 mm (image); 236 × 987 mm (plate); 348 × 996 mm (sheet). Etching and drypoint in warm black on grayish ivory chine. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

alb4149680 The 'Pavillon de Mademoiselle' and Part of the Louvre. Charles Meryon (French, 1821-1868); after Reinier Nooms (Dutch, c. 1623-c. 1668). Date: 1849. Dimensions: 134 × 247 mm (image); 137 × 249 mm (plate); 228 × 401 mm (sheet). Etching, drypoint and roulette on buff laid Japanese paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

alb4147528 Study. Charles Meryon; French, 1821-1868. Date: 1845. Dimensions: 242 × 416 mm. Graphite on cream wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

alb4146619 The Face of Christ. Charles Meryon (French, 1821-1868); after a minature by Elise Brurère (French, 19th century); after a painting by Philippe de Champaigne (French, 1602-1674). Date: 1849. Dimensions: 81 × 65 mm (image); 106 × 87 mm (plate); 107 × 82 mm (primary support); 242 × 172 mm (secondary support). Etching with roulette on ivory China paper, laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

alb4159150 Lunar Law, No. 1. Charles Meryon; French, 1821-1868. Date: 1856. Dimensions: 151 × 244 (image); 155 × 244 mm (plate); 201 × 258 mm (sheet). Etching with foul biting, hand-colored with watercolor, on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

alb4159006 Portrait of the Poet Evariste Boulay-Paty. Charles Meryon (French, 1821-1868); after Pierre Jean David d'Angers (French, 1788-1856); printed by Auguste Delâtre (French, 1822-1907). Date: 1861. Dimensions: 107 × 107 mm (image); 107 × 107 mm (plate); 319 × 198 mm (sheet). Etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

alb3622692 Regarding One of the Gargoyles of Nôtre-Dame, Paris. Artist: Charles Meryon (French, 1821-1868). Dimensions: image: 7 7/8 x 4 1/2 in. (20 x 11.4 cm)sheet: 14 5/8 x 9 3/4 in. (37.1 x 24.8 cm). Date: 1853. Museum: Metropolitan Museum of Art, New York, USA.

alb4338356 Solar Law, 1855, Charles Meryon, French, 1821-1868, France, Etching, from two plates, one printed in warm black, the other in red ink, on ivory wove paper, 118 × 80 mm (image), 118 × 80 mm (plate), 163 × 242 mm (sheet).

alb4330157 Address-Card of the Printseller, Rochoux, c. 1855, Charles Meryon (French, 1821-1868), printed by Auguste Delâtre (French, 1822-1907), France, Etching, from two plates, one printed in black and the other in red, on ivory laid paper, 92 × 120 mm (image), 92 × 120 mm (plate), 361 × 259 mm (sheet).

alb4334038 Portrait of Edmond de Courtives, c. 1849, Charles Meryon, French, 1821-1868, France, Etching in black on ivory wove paper, 49 × 45 mm (image), 85 × 75 mm (plate), 93 × 83 mm (sheet).

alb2634630 Charles Meryon (French, 1821 - 1868). Le Pont-au-Change, 1854. Etching. Twelfth of twelve states.

alb2643362 Charles Meryon (French, 1821 - 1868), La Pompe Notre-Dame, Paris (The Notre-Dame Pump), 1852, etching with drypoint on green paper.

alb3495660 The printer Valère Maxime being presented to King Louis XI, after an earlier miniature, 1860, Etching and drypoint, printed on laid paper; fourth state of seven (Schneiderman), plate: 6 3/4 x 7 7/8 in. (17.1 x 20 cm), Prints, Charles Meryon (French, 18211868).

alb3491026 Le Ministere de la Marine (The Admiralty, Paris), 1865, Etching on laid paper, Plate: 6 5/8 x 5 3/4 in. (16.8 x 14.6 cm), Prints, Charles Meryon (French, 18211868).

alb3494832 The Old Louvre, Paris, after Zeeman, 186566, Etching on laid paper; fifth state of seven (Schneiderman), plate: 6 9/16 x 10 1/2 in. (16.7 x 26.7 cm), Prints, Charles Meryon (French, 18211868), After Reinier Nooms, called Zeeman (Dutch, Amsterdam ca. 16231664 Amsterdam).

alb3493022 New Caledonia: Large native hut on the road from Balade to Puebo, 1845, 1863, Etching on laid paper., plate: 5 3/8 x 9 3/4 in. (13.7 x 24.8 cm), Prints, Charles Meryon (French, 18211868).

alb3495984 The Old Gate of the Palais de Justice, Paris, 1854, Etching and drypoint on laid paper; first of two states, plate: 3 7/16 x 3 3/8 in. (8.8 x 8.5 cm), Prints, Charles Meryon (French, 18211868).

alb2609319 Charles Meryon (French, 1821 - 1868), L'ancien Louvre d'après une peinture de Zeeman, 1651 (The Old Louvre, from a Painting by Zeeman, 1651), 1866, etching.

alb4158589 Rebus: Béranger was not Really Strong, for he Never had the Key of the Fields. Charles Meryon (French, 1821-1868); printed by Pierron (French, 19th century); published by Rochoux (French, 19th century). Date: 1863. Dimensions: 291 × 125 mm (image); 306 × 151 mm (plate); 450 × 297 mm (sheet). Etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

alb4159057 Oceania: Fishing, Near Islands with Palms in the Uea or Wallis Group, 1845. Charles Meryon; French, 1821-1868. Date: 1863. Dimensions: 117 × 298 mm (image); 159 × 338 mm (plate); 328 × 455 mm (sheet). Etching and drypoint on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

alb4158936 Study for San Francisco. Charles Meryon; French, 1821-1868. Date: 1855-1856. Dimensions: 179 × 123 mm. Graphite on cream wove tracing paper (discolored to tan), tipped on ivory wove card. Origin: France. Museum: The Chicago Art Institute.

alb4158962 Lunar Law, No. 1. Charles Meryon; French, 1821-1868. Date: 1856. Dimensions: 132 × 229 mm (image); 161 × 248 mm (plate); 170 × 255 mm (sheet). Etching with foul biting, hand-colored with watercolor, on ivory laid paper. Origin: France. Museum: The Chicago Art Institute.

alb4158648 Swift-Sailing Proa, Mulgrave Archipelago, Oceania. Charles Meryon; French, 1821-1868. Date: 1866. Dimensions: 141 × 80 mm (image); 141 × 80 mm (plate); 246 × 159 mm (sheet). Etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute.

alb4150858 Plan of the Battle of Sinope. Charles Meryon (French, 1821-1868); printed by Auguste Delâtre (French, 1822-1907); published by Charles Tanera (French, 19th century). Date: 1853. Dimensions: 182 × 261 mm (image); 182 × 262 mm (plate); 204 × 281 mm (sheet). Etching and roulette in black and tinted with watercolor in blue and yellow on paper. Origin: France. Museum: The Chicago Art Institute.

alb4158196 Profile Portrait of Charles Meryon. Felix Bracquemond; French, 1833-1914. Date: 1854. Dimensions: image (drawing): 134 × 106 mm; plate mark (no image on plate, but ink at mark): 150 × 100 mm; rectangle of ink tone: appro×. 236 × 157 mm; sheet: 272 × 208 mm. Drawing in graphite on ivory laid paper over plate mark stamped in paper with no etched image but with warm brown ink at plate mark and larger rectangle of lavender ink tone from a stone (?) on ivory laid paper. Origin: France. Museum: The Chicago Art Institute. Author: Félix Henri Bracquemond.

alb4158191 Frontispiece for the Catalogue of the Engravings of Thomas De Leu. Charles Meryon; French, 1821-1868. Date: 1866. Dimensions: 129 × 98 mm (image, including stray marks); 153 × 108 mm (plate); 343 × 242 mm (sheet). Etching and engraving with burnishing on ivory laid paper. Origin: France. Museum: The Chicago Art Institute.

alb4158547 Pompe Notre-Dame, Paris (small plate). Charles Meryon; French, 1821-1868. Date: 1854. Dimensions: 108 × 80 mm (image); 108 × 80 mm (plate); 434 × 322 mm (sheet). Etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute.

alb4158058 The Footbridge Temporarily Replacing the Pont-au-Change, Paris, After the Fire of 1621. Charles Meryon (French, 1821-1868); after Stefano della Bella (Italian, 1610-1664). Date: 1860. Dimensions: 96 × 198 mm (image); 121 × 231 mm (plate); 114 × 216 mm (primary support); 316 × 452 mm (secondary support). Etching on ivory laid paper, laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute.

alb4157865 Rebus: Here Lies the Ancient Vendetta. Charles Meryon (French, 1821-1868); printed by Pierron (French, 19th century). Date: 1863. Dimensions: 62 × 64 mm (image); 76 × 76 mm (primary support); 130 × 153 mm (secondary support). Etching and engraving in black, with printing à la poupée in red ink on cream wove paper, laid down on ivory laid paper. Origin: France. Museum: The Chicago Art Institute.

alb4157864 Portrait of Charles Meryon Sitting Up in Bed. Léopold Flameng; French, born Belgium, 1831-1911. Date: 1858. Dimensions: 184 × 245 mm (image); 223 × 272 mm (plate); 333 × 450 mm (sheet). Soft ground etching on ivory Japanese paper. Origin: France. Museum: The Chicago Art Institute.